LANGUAGE IN INDIA

Strength for Today and Bright Hope for Tomorrow

Volume 25:10 October 2025
ISSN 1930-2940

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         Nathan Mulder Bunce, M.A., Ph.D. Candidate
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         A. R. Fatihi, Ph.D.
         G. Baskaran, Ph.D.
         T. Deivasigamani, Ph.D.
         Pammi Pavan Kumar, Ph.D.
         Soibam Rebika Devi, M.Sc., Ph.D.

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Metaphor and Mind: A Cognitive Linguistic Study of Anita Nair's Mistress

Dr. Ravindra Goswami


Abstract

This paper explores the intricate relationship between language, metaphor, and cognition in Anita Nair's Mistress (2005) through the lens of cognitive linguistics. Drawing primarily on the conceptual metaphor theory of George Lakoff and Mark Johnson, the study examines how metaphors in Nair's narrative embody complex emotional, psychological, and cultural dimensions of identity. Mistress weaves together the worlds of Kathakali, gender, and selfhood, making it a fertile text for cognitive-linguistic exploration. By analyzing key metaphorical patterns—especially those related to performance, desire, and self-perception—the paper demonstrates how Nair's use of figurative language transcends decorative aesthetics to shape conceptual understanding. The findings reveal that metaphors in Mistress serve as cognitive tools that enable readers to perceive inner experiences, emotional transformations, and gendered consciousness, positioning Nair as a writer deeply attuned to the psychology of language.

Keywords:Anita Nair, Mistress, cognitive linguistics, conceptual metaphor, identity, Kathakali, feminist discourse

Introduction

Language is not merely a vehicle for communication—it is a structure through which human beings perceive, categorize, and make sense of their experiences. In literature, this cognitive dimension of language becomes most visible through metaphor, where abstract concepts are rendered tangible through concrete images. Anita Nair's Mistress (2005), a richly layered novel exploring art, desire, and selfhood, offers an ideal site for a cognitive linguistic investigation of metaphor.

Cognitive linguistics, especially as articulated by Lakoff and Johnson (1980) in Metaphors We Live By, argues that metaphors are not linguistic ornaments but conceptual frameworks that shape human thought. This paradigm shift redefines metaphor from a poetic flourish to a cognitive mechanism. Within Nair's narrative world, metaphors are deeply tied to the protagonists' efforts to understand their own identities—particularly through the language of art and body.

Mistress interlaces the world of Kathakali, a traditional South Indian dance-drama form, with the modern struggles of love, betrayal, and artistic obsession. The novel's dual structure—juxtaposing the mythic and the personal—makes it an ideal case for exploring how metaphor bridges inner cognition and outer expression. This paper examines how Nair employs metaphorical language to construct her characters' psychological realities, focusing on how conceptual metaphors illuminate emotional states and gendered consciousness.


This is only the beginning part of the article. PLEASE CLICK HERE TO READ THE ENTIRE ARTICLE IN PRINTER-FRIENDLY VERSION.


Dr. Ravindra Goswami
Dr. B. R. Ambedkar University, Agra
goswami.raaj23@gmail.com

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