LANGUAGE IN INDIA

Strength for Today and Bright Hope for Tomorrow

Volume 26:1 January 2026
ISSN 1930-2940

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         Nathan Mulder Bunce, M.A., Ph.D.
         Sam Mohanlal, Ph.D.
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         A. R. Fatihi, Ph.D.
         G. Baskaran, Ph.D.
         T. Deivasigamani, Ph.D.
         Pammi Pavan Kumar, Ph.D.
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Language, Culture, and Identity: A Linguistic Study of R. K. Narayan's Fiction with Reference to Malgudi Days

Dr. Ravindra Goswami


Abstract

This paper investigates how language functions as a vehicle for culture and identity in R. K. Narayan's short-story collection Malgudi Days (1943). Through a linguistically informed stylistic and sociolinguistic analysis of selected stories, the study explores how narrative voice, dialogue, register, idiom, and deixis construct local cultural worlds and social identities in the fictional town of Malgudi. Drawing on sociolinguistic theories of language and identity (Edwards, 2009; Bourdieu, 1991), postcolonial frameworks (Ashcroft, Griffiths & Tiffin, 1989; Bhabha, 1994), and stylistics (Leech & Short, 2007), the paper argues that Narayan's linguistic choices do cultural work: they naturalize an Indian socio-cultural worldview, present layered identities (regional, caste/class, generational), and negotiate Anglophone literary forms with indigenous narrative content. The paper concludes that Malgudi Days is a fertile site for examining the interplay between language, culture, and identity in Indian English fiction.

Keywords:R. K. Narayan; Malgudi Days; language and identity; sociolinguistics; stylistics; postcolonial literature; Indian English.

Introduction

Rasipuram Krishnaswami Narayan (1906–2001) is one of the foundational figures of Indian English fiction. His Malgudi stories — concentrated, economical, and rooted in a small South Indian town — register the everyday using deceptively simple language that conceals complex cultural meaning (New Yorker, 2006). Scholars have long commented on Narayan's characteristic irony, humane realism, and his ability to represent “Indianness” without rhetorical excess (Mukherjee, 2000; Narasimhaiah, 1969). This research focuses on Malgudi Days as a linguistic text: how do lexical choices, dialogue patterns, narrative stance, and pragmatic implicature in the stories work to construct local culture and individual/social identity? Research questions guiding this paper:
What linguistic devices does Narayan employ to represent Malgudi's social and cultural world?
How do dialogue and register encode social identities (class, age, gender, caste/ritual roles)?
In what ways does Narayan's English negotiate colonial/Anglophone literary forms while retaining local cultural sensibility?


This is only the beginning part of the article. PLEASE CLICK HERE TO READ THE ENTIRE ARTICLE IN PRINTER-FRIENDLY VERSION.


Dr. Ravindra Goswami
Seth G.B. Podar College, Nawalgarh (Raj)
Goswami.raaj23@gmail.com

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