LANGUAGE IN INDIA

Strength for Today and Bright Hope for Tomorrow

Volume 11 : 11 November 2011
ISSN 1930-2940

Managing Editor: M. S. Thirumalai, Ph.D.
Editors: B. Mallikarjun, Ph.D.
         Sam Mohanlal, Ph.D.
         B. A. Sharada, Ph.D.
         A. R. Fatihi, Ph.D.
         Lakhan Gusain, Ph.D.
         Jennifer Marie Bayer, Ph.D.
         S. M. Ravichandran, Ph.D.
         G. Baskaran, Ph.D.
         L. Ramamoorthy, Ph.D.

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Women in Mahabharata: Fighting Patriarchy

Maneeta Kahlon, Ph.D.

Vyasa’s Portrayal of Women

Vyasa casts his women—Kunti, Draupadi, Gandhari, Shakuntala, Devayani, Savitri, Damayanti— both in the heroic mould and as victims and practitioners of elements of patriarchy The image of women in the original stratum of the epic is that which is etched out in the words of Shakuntala, as she upbraids Dushyanta for fickleness, contesting patriarchy and traditions of gender relations.

“A wife is a man’s half,
A wife is a man’s closest friend;
A wife is Dharma, Artha and Karna,
A wife is Moksha too.
A sweet-speaking wife is a companion in happy times;
A wife is like a father on religious occasions;
A wife is like a mother in illness and sorrow.
The wife is a means to man’s salvation . . .
Happiness, joy, virtue, everything depends on her.”

Study of Male Authority and Subordination

This paper is a study of the three central characters of Mahabharata and how they deal with male authority and subordination. The characters of Kunti, Gandhari, Draupadi conform to the elements of Stridharma while also manifesting exigent actions.

This is only the beginning part of the article. PLEASE CLICK HERE TO READ THE ARTICLE IN PRINTER-FRIENDLY VERSION.

Maneeta Kahlon, Ph.D.
Assistant Professor
Shanti Devi Arya Mahila English College
Dinanagar
District Gurdaspur
Punjab
India
manita145@yahoo.co.in
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