LANGUAGE IN INDIA

Strength for Today and Bright Hope for Tomorrow

Volume 13:11 November 2013
ISSN 1930-2940

Managing Editor: M. S. Thirumalai, Ph.D.
Editors: B. Mallikarjun, Ph.D.
         Sam Mohanlal, Ph.D.
         B. A. Sharada, Ph.D.
         A. R. Fatihi, Ph.D.
         Lakhan Gusain, Ph.D.
         Jennifer Marie Bayer, Ph.D.
         S. M. Ravichandran, Ph.D.
         G. Baskaran, Ph.D.
         L. Ramamoorthy, Ph.D.
         C. Subburaman, Ph.D. (Economics)
Assistant Managing Editor: Swarna Thirumalai, M.A.

HOME PAGE

Click Here for Back Issues of Language in India - From 2001




BOOKS FOR YOU TO READ AND DOWNLOAD FREE!


REFERENCE MATERIAL

BACK ISSUES


  • E-mail your articles and book-length reports in Microsoft Word to languageinindiaUSA@gmail.com.
  • PLEASE READ THE GUIDELINES GIVEN IN HOME PAGE IMMEDIATELY AFTER THE LIST OF CONTENTS.
  • Your articles and book-length reports should be written following the APA, MLA, LSA, or IJDL Stylesheet.
  • The Editorial Board has the right to accept, reject, or suggest modifications to the articles submitted for publication, and to make suitable stylistic adjustments. High quality, academic integrity, ethics and morals are expected from the authors and discussants.

Copyright © 2012
M. S. Thirumalai


Custom Search

Biotext: A New Perspective

Roghayeh Farsi, Ph.D.
Neyshabur University, Iran


Abstract

Literary criticism has always concerned itself with the triangle of text, context, and author/reader. Such triangulation has led to the emergence of a wide variety of literary approaches, each one of which has paradoxically had some limitations. The present article aims at introducing a new perspective which encompasses all other approaches without falling in the trap of their reductionism. The initiator of this new notion is J. S. Anand, the living Indian poet.

This paper not only introduces Anand’s theory of biotext as the virtual realm of any literary text but it also elucidates Anand’s biotext by modeling it after Gilles Deleuze’s postmodern theories on time, hence interdisciplinarity between literary criticism and philosophy. Here, a parallel is drawn between the syntheses of time (past, present, future) and those of text, context, and author/reader. Calling biotext as the virtual Third Space is regarded as Anand’s attempt to postcolonialize his new perspective, following Homi K. Bhabha.

Key words:biotext, synthesis, Anand, Deleuze, Bhabha

Introduction

History of literary criticism evinces critics’ views have not transcended the triangle of text, context, and writer. With each approach, there has been a tilt toward either one or two of these elements. Roland Barthes’s revolutionary announcement of death of the author and birth of the reader in text substituted author with reader, hence reader-response approach. The postmodern re-turn to the context and its impacts on text production and interpretation have rendered Formalists’ stress on the autonomy of text outdated. Such triangulation has restricted the critics’ scope of vision and made their lenses impervious to criticism. Total eradication of the author is as just reductive as the sole emphasis on text or context.

J. S. Anand, in a metacritical approach, introduces the new and conducive notion of biotext in an attempt to fill in the gaps of all such perspectives. He defines biotext as the all-inclusive, protean, and virtual Space which is shared by, but not restricted to any one of, text, context, and author/reader. Following his postcolonial predecessor, Homi K. Bhabha, Anand calls biotext as the Third Space whose synthetic structure de-colonizes the monopoly of either element in the triangle.


This is only the beginning part of the article. PLEASE CLICK HERE TO READ THE ENTIRE ARTICLE IN PRINTER-FRIENDLY VERSION.


Roghayeh Farsi, Ph.D.
Neyshabur University
Iran
farsiroghayeh1956@gmail.com

Custom Search


  • Click Here to Go to Creative Writing Section

  • Send your articles
    as an attachment
    to your e-mail to
    languageinindiaUSA@gmail.com.
  • Please ensure that your name, academic degrees, institutional affiliation and institutional address, and your e-mail address are all given in the first page of your article. Also include a declaration that your article or work submitted for publication in LANGUAGE IN INDIA is an original work by you and that you have duly acknowledged the work or works of others you used in writing your articles, etc. Remember that by maintaining academic integrity we not only do the right thing but also help the growth, development and recognition of Indian/South Asian scholarship.