LANGUAGE IN INDIA

Strength for Today and Bright Hope for Tomorrow

Volume 15:4 April 2015
ISSN 1930-2940

Managing Editor: M. S. Thirumalai, Ph.D.
Editors: B. Mallikarjun, Ph.D.
         Sam Mohanlal, Ph.D.
         B. A. Sharada, Ph.D.
         A. R. Fatihi, Ph.D.
         Lakhan Gusain, Ph.D.
         Jennifer Marie Bayer, Ph.D.
         S. M. Ravichandran, Ph.D.
         G. Baskaran, Ph.D.
         L. Ramamoorthy, Ph.D.
         C. Subburaman, Ph.D. (Economics)
         N. Nadaraja Pillai, Ph.D.
Assistant Managing Editor: Swarna Thirumalai, M.A.

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Figurative Language in the Novels of R. K. Narayan:
Metaphor and Simile

Shakeba Jabeen Siddiqui, Ph.D. (Linguistics)

Abstract

The purpose of the present investigation is to study and analyse the language R. K. Narayan used in his novels. The language is studied under the context of figures of speech that include variables of speech, i.e. Metaphor and Simile. I also stylistically analyzed the language under which the form, nature, and temperament are used by the author. Narayan used metaphor and simile as a great tool to help the reader to understand abstract and the unfamiliar content by linking it to a concrete and familiar concept. it became easier for the readers to understand the information presented by the author. For the present purpose some of the most read novels of R. K. Narayan are taken into consideration. Some of them are Swami and Friends, The English Teacher, The Man Eater of Malgudi, The Vendor of Sweets and The Financial Expert.

Keywords: R.K Narayan, language, figure of speech, metaphor, simile

Introduction – The Story Really Matters

R.K. Narayan was a pioneer and had legitimately occupied an exclusive place amongst Indo-English novelists. He casts a great impression on Indian fiction in English. He was born and brought up in Madras and his mother tongue was Tamil, but he was internationally acclaimed as the greatest Indian fiction writer in English and needs no introduction to an average reader.

Narayan’s art as a novelist was largely limited to storytelling, for the story is the distinguishing characteristic of his fiction. As a genial story-teller, Narayan held his listeners simply spell-bound. He had a strong penchant for storytelling. For his writings, the story really matters. He created a world of his own and given it a name Malgudi which is the only locale of his writings and his characters revolved around this imaginary town which is a microcosm of India.

This is only the beginning part of the article. PLEASE CLICK HERE TO READ THE ENTIRE ARTICLE IN PRINTER-FRIENDLY VERSION.

Dr. Shakeba

Shakeba Jabeen Siddiqui, Ph.D. (Linguistics)
Department of English
M.P. Garg Degree College
Allahabad-211011
Uttar Pradesh
India
shakeba.siddiqui@gmail.com
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