LANGUAGE IN INDIA

Strength for Today and Bright Hope for Tomorrow

Volume 16:11 November 2016
ISSN 1930-2940

Managing Editor: M. S. Thirumalai, Ph.D.
Editors: B. Mallikarjun, Ph.D.
         Sam Mohanlal, Ph.D.
         B. A. Sharada, Ph.D.
         A. R. Fatihi, Ph.D.
         Lakhan Gusain, Ph.D.
         Jennifer Marie Bayer, Ph.D.
         G. Baskaran, Ph.D.
         L. Ramamoorthy, Ph.D.
         C. Subburaman, Ph.D. (Economics)
         N. Nadaraja Pillai, Ph.D.
         Renuga Devi, Ph.D.
         Soibam Rebika Devi, M.Sc., Ph.D.
Assistant Managing Editor: Swarna Thirumalai, M.A.

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Poetry of Bushehr, Pioneer in the Poetry of the South of Iran

Nasrin Mozaffari, Ph.D.
Bushehr University of Medical Sciences, Bushehr, Iran
Sima Gharibey, M.A. English literature, Bushehr, Iran
Marzieh Nowruzi, M.A. Literature Student of Bushehr pnu


Abstract

Bushehr in southern Iran is the vanguard of contemporary literature in Iran. Bushehr’s poetry is nature-oriented, the poetry of a human being who lives in the south of Iran. This is the art of Bushehr’s poetry which using rural natural beauty creates urban and national poetry and is Post Modern; it recreates the symbols and from them creates wonderful and beautiful images. Bushehr’s poetry is not supposed to be native-world but it is believed to make Post Modernism world-native, since the future of the world is nothing but the symbol of a small village; and it speaks out that the neighbors must have mutual understanding of themselves and their identities in order to help each other attain salvation from different perspectives. Manouchehr Atashi and Ali Babachahi are the fore-runners of the symbols of contemporary poetry of Bushehr. In this article, we will study these two poets’ poetry.

Keywords: Post-Modern Poetry, Bushehr, South of Iran, symbols of contemporary poetry

1. Manouchehr Atashi’s Poetry

Manouchehr Atashi (1310-1384) was born in Bushehr. With his book of poems Ahang-e digar (Another melody) he introduced himself to Iranian literature in1339. Many critics believe that this book was more powerful and more beautiful than the first book of poems of many of the poets of his generation. It was such that Forough Farrokhzad had an envious look on it and looked at it with respect.


This is only the beginning part of the article. PLEASE CLICK HERE TO READ THE ENTIRE ARTICLE IN PRINTER-FRIENDLY VERSION.


Nasrin Mozaffari, Ph.D. (Corresponding Author)
Bushehr University of Medical Sciences, Bushehr, Iran
mozafare@yahoo.com

Sima Gharibey, M.A. English literature
Bushehr
Iran

Marzieh Nowruzi, M.A. Literature student of Bushehr pnu
Iran


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