LANGUAGE IN INDIA

Strength for Today and Bright Hope for Tomorrow

Volume 18:2 February 2018
ISSN 1930-2940

Managing Editor: M. S. Thirumalai, Ph.D.
Editors: B. Mallikarjun, Ph.D.
         Sam Mohanlal, Ph.D.
         B. A. Sharada, Ph.D.
         A. R. Fatihi, Ph.D.
         Lakhan Gusain, Ph.D.
         Jennifer Marie Bayer, Ph.D.
         G. Baskaran, Ph.D.
         L. Ramamoorthy, Ph.D.
         C. Subburaman, Ph.D. (Economics)
         N. Nadaraja Pillai, Ph.D.
         Renuga Devi, Ph.D.
         Soibam Rebika Devi, M.Sc., Ph.D.
         Dr. S. Chelliah, Ph.D.
Assistant Managing Editor: Swarna Thirumalai, M.A.

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Depiction of Tribal Culture in English Movies:
A Critical Analysis

Ravindra Gomaji Vaidya, M.A.



Abstract

The present paper explores the nuances of the depiction of tribal culture in the new age medium the movies. Tribe and tribal culture sporadically gets represented in the medium of expressions controlled by capitalist and aristocratic elites. It is true in case of both traditional print medium as well as the new technologically advanced medium like movie. The pertinent question in this regard would be: when it gets represented, is it really unbiased? Does the medium perpetuate the discrimination based on race, religion, skin color and many other factors that have been prevalent in discriminating and dividing the world into binaries such as: white-black, west-east, occident-orient, man-woman, and so on? Do these movies fall for stereotypes or bring forth the real picture of tribal life and culture to the audiences? The paper while seeking answer to these questions focuses on how the first cinema movies (dominant Hollywood productions) perpetuate colonial ideology of degrading the subjects to relegate them to the secondary positions.

Keywords: tribal culture, English movies, representation, binary, medium, first cinema, capitalist, aristocratic.

Introduction

In the digital age, movie as a medium has evolved to be the most popular as well as effective medium of mass communication. Traditional print media, viz. newspaper, journals, articles, and above all literary expressions have, so far, been the mirrors of the society. Yet the print medium could not become the universal medium in the sense that these forms of expression were the sources of information as well as entertainment for the literate population. The knowledge and perspectives of life imbibed within them had limited impact. In fact, these media have been restricted to the elite classes of the society. And, therefore, only the issues and perspectives comfortable to the elites, (of course there are exceptions) had accommodated the pages of these expressions. Even the seemingly revolutionary literary pieces have hidden agendas to protect the interests of the dominant classes. Movie, on the other hand, being a blend of technology and art soon became the most popular, universal and the first industrialized art form. It is viewed as the medium with utopian possibilities of social change. The movie as a text caters to the needs of both the literate and the illiterate alike.


This is only the beginning part of the article. PLEASE CLICK HERE TO READ THE ENTIRE ARTICLE IN PRINTER-FRIENDLY VERSION.


Ravindra Gomaji Vaidya, M.A.
Head, Department of English
New Arts, Commerce and Science College
Shevgaon 414502
Maharashtra
India
vaidya.ravindra20@gmail.com


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