LANGUAGE IN INDIA

Strength for Today and Bright Hope for Tomorrow

Volume 18:6 June 2018
ISSN 1930-2940

Managing Editor: M. S. Thirumalai, Ph.D.
Editors: B. Mallikarjun, Ph.D.
         Sam Mohanlal, Ph.D.
         B. A. Sharada, Ph.D.
         A. R. Fatihi, Ph.D.
         Lakhan Gusain, Ph.D.
         Jennifer Marie Bayer, Ph.D.
         G. Baskaran, Ph.D.
         L. Ramamoorthy, Ph.D.
         C. Subburaman, Ph.D. (Economics)
         N. Nadaraja Pillai, Ph.D.
         Renuga Devi, Ph.D.
         Soibam Rebika Devi, M.Sc., Ph.D.
         Dr. S. Chelliah, Ph.D.
Assistant Managing Editor: Swarna Thirumalai, M.A.

Language in India www.languageinindia.com is included in the UGC Approved List of Journals. Serial Number 49042.


HOME PAGE

Click Here for Back Issues of Language in India - From 2001




BOOKS FOR YOU TO READ AND DOWNLOAD FREE!


REFERENCE MATERIALS

BACK ISSUES


  • E-mail your articles and book-length reports in Microsoft Word to languageinindiaUSA@gmail.com.
  • PLEASE READ THE GUIDELINES GIVEN IN HOME PAGE IMMEDIATELY AFTER THE LIST OF CONTENTS.
  • Your articles and book-length reports should be written following the APA, MLA, LSA, or IJDL Stylesheet.
  • The Editorial Board has the right to accept, reject, or suggest modifications to the articles submitted for publication, and to make suitable stylistic adjustments. High quality, academic integrity, ethics and morals are expected from the authors and discussants.

Copyright © 2016
M. S. Thirumalai

Publisher: M. S. Thirumalai, Ph.D.
11249 Oregon Circle
Bloomington, MN 55438
USA


Custom Search

Female Body and Male Heroism in South Indian Cinema:
A Special Reference to Telugu Cinema

Dr. Krishna Sankar Kusuma



N. T. Rama Rao in the film Daasi
Courtesy: https://en.wikipedia.org/wiki/N._T._Rama_Rao_filmography

Abstract

South Indian cinema presents different aesthetics, themes, and stories when compared to Hindi cinema. The unique characteristics of Southern cinema include fans and fan clubs, cinema, politics, devotional and folklore genres, and so on. Heroism that exists in regional cinema in India is highly characterised by male dominance. The main aim of the paper is to understand and analyse the representation of the female lead roles in Telugu cinema over the years. There are very few female actors who could achieve the status of female lead roles to the stardom on par with male actors. The paper explores depiction and use of female body and male heroism in Telugu and other South Indian languages cinema. In the midst of male-dominated industry, the paper analyses female actors’ depiction in Telugu and other South Indian movies.

Keywords: South Indian Cinema, Heroism, Female body, Telugu Cinema, female actors, Indian cinema, male lead roles, male-centered movies

Introduction

Heroism is a significant factor that is present in all movie industries regardless of their geographical location. In fact, the notions of ‘Hero’ and ‘Heroism’ are closely associated with all the film industries in India. Whether it is Bombay cinema or four cinema industries in South India, heroism has become an important phenomenon over the years.


This is only the beginning part of the article. PLEASE CLICK HERE TO READ THE ENTIRE ARTICLE IN PRINTER-FRIENDLY VERSION.


Dr. Krishna Sankar Kusuma
Assistant Professor (Sr.Grade)
AJK Mass Communication Research Centre
Jamia Millia Islamia
Jamia Nagar
New Delhi-110025
India
kusumakk@gmail.com


Custom Search


  • Click Here to Go to Creative Writing Section

  • Send your articles
    as attachment
    to your e-mail to
    languageinindiaUSA@gmail.com.
  • Please ensure that your name, academic degrees, institutional affiliation and institutional address, and your e-mail address are all given in the first page of your article. Also include a declaration that your article or work submitted for publication in LANGUAGE IN INDIA is an original work by you and that you have duly acknowledged the work or works of others you used in writing your articles, etc. Remember that by maintaining academic integrity we not only do the right thing but also help the growth, development and recognition of Indian/South Asian scholarship.